“©Œ|‰Ζ@β’܏ŸK@ŒŠ—q‚ŏЬ‚΅‚½–³ηΦ–ς‚̏Ēχ‚ί“©AD•”A‹ΰŒp‚¬‚ΜŠν“™A“©Œ|μ•i‚Ζ‘’Œ`μ•i
“©Œ|‰Ζ@β’܏ŸK@ƒvƒƒtƒB[ƒ‹
“©Œ|‰Ζ@β’܏ŸK@ŒfΪ‘Π
“©Œ|‰Ζ@β’܏ŸK@ƒMƒƒƒ‰ƒŠ[
“©Œ|‰Ζ@β’܏ŸK@Šρe
“©Œ|‰Ζ@β’܏ŸK@H–[
“©Œ|‰Ζ@β’܏ŸK@ƒXƒ^ƒbƒt
“©Œ|‰Ζ@β’܏ŸK@ƒŠƒ“ƒN
“©Œ|‰Ζ@β’܏ŸK@‰pŒκ”Εƒgƒbƒvƒy[ƒW‚Φ
@Christy@“s“Ή•{Œ§•Κ‚Μ’nˆζξ•ρ‚ΖƒJƒeƒSƒŠ•Κ‚ΜƒWƒƒƒ“ƒ‹ξ•ρ‚𔭐M‚·‚ιƒ|[ƒ^ƒ‹ƒTƒCƒg
“©Œ|‰Ζ@β’܏ŸK@ƒgƒbƒvƒy[ƒW‚Φ
“©Œ|‰Ζ@β’܏ŸK@H–[
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@§μ
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@§μ
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@§μ
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@§μ
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@§μ
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@§μ
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@—q‹l‚ί
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@—q‹l‚ί
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@—q‹l‚ί
“©Œ|‰Ζ@β’܏ŸK@‰·ŒΜ’mV“W§μŒ»κ@—q‹l‚ί

“©Œ|‰Ζ@β’܏ŸK@ˆΙ¨’O@‰·ŒΜ’mV“W

We are delighted to present to you a variety of Katsuyuki Sakazume's craftsmanship of a ceramic art.

In Nakajo-machi, Niigata Prefecture, Japan, he has reproduced a hollow-type of kiln used in Kamakura Period (1192-1333), to pursue his studies on what the earthenware should essentially be like.

In the exhibition of this time he is going to show an extensive work of his including earthenware\full of natural taste characterized by his own style of firing and hardening\, hanging scrolls, and pictures.

“©Œ|‰Ζ@β’܏ŸK@ƒRƒs[ƒ‰ƒCƒg